The History of Buffalo Pottery and China

What is willow? The willow pattern is an oriental pattern, most often seen in blue and white, that features common elements from manufacturer to manufacturer. These elements are a willow tree, an orange or apple tree, two birds, people on a bridge, a fence, a boat and a teahouse, which some collectors call a pagoda. The willow pattern has been made by hundreds of companies in dozens of countries, and in colors from the most-seen blue, to red, green, gold, yellow, purple, black, brown, multicolored and the list goes on with combinations. Did you know the willow pattern has earned a rather unique distinction? Because it has been in existence for more than years, it is the china pattern with the longest continual production in history. Where did the willow pattern come from? It finds its roots in China, where throughout the 15th through 18th centuries, the Chinese potters were exporting their porcelain wares decorated with hand-painted cobalt designs under glaze. In the 18th century, companies like the East India Company imported the blue and white Chinese porcelains into England.

Wedgwood China Willow

Q: I have several pieces of Blue Willow china but not a complete set. The largest piece is a platter that is 15 inches across. The pieces have no marks but I know they are at least 60 years old.

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With an intricate design based on a Chinese legend, Blue Willow china is both beautiful and captivating. Whether you have some Blue Willow pieces inherited from your mother or grandmother or you’re planning to start your own collection, learning more about this fascinating china pattern will make collecting it even more special. Developed by Thomas Turner in , the Blue Willow pattern eventually became a classic fixture on many tables around the world.

The pattern is actually English, although it is based on similar blue landscape designs in Chinese porcelain. By the end of the 18th century, several English potteries were making Blue Willow patterns, and it immediately captivated the imaginations of consumers. Potteries continued to make Blue Willow throughout the 19th century and 20th century, and it is still made today. Part of what makes Blue Willow so popular is the story it tells in its design.

In the Blue Willow legend , a the beautiful daughter of a powerful man fell in love with her father’s secretary.

All About Antique Blue Willow China

Blue and white “Kraak” paneled decoration on a thin porcelain body. Diameter 34 c. J E Nilsson Collection. The Portuguese were the first to establish regular trade with China over the sea. The first export porcelain got to be known as Kraak porcelain , probably after the Portuguese Carrack’s which were the ships the Portuguese used for the trade.

This particular plate illustrates the ‘Willow III’, which became known as Although Spode was one of the top ten factories manufacturing blue and white.

A history of the Blue Willow pattern begins the book with descriptions of the many border and center patterns of this china. Dating Blue Willow and collecting Blue Willow are discussed, and all known marks are illustrated. Over color photographs of bowls, ashtrays, plates, pitchers, vases, platters, sugar bowls, and much more are included. A special feature in this edition highlights the variations in the Willow pattern, which are often mixed in with the traditional Willow patterns and confuse collectors.

Gaston makes identification easy, separating not only pattern variations but Willow produced in other colors. There are also several helpful indexes provided: objects, patterns, English manufacturers, Japanese items, American manufacturers, and origins other than England, Japan, and the United States. Read more Read less. Customers who bought this item also bought.

Our History

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Times i also be inspired by wedgwood willow allerton pattern, north bay, , most often seen in blue and elaborate chinoiserie pattern china. Printed in.

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Collecting Blue Willow Identification Value Guide

Robert Copeland. London: Studio Vista, In the seventeenth century, a fascination with things Chinese swept through Europe and North America as trade with the East introduced the West to tea, spices, fine silks, lacquered items—and porcelain. For much of the eighteenth century, consumers unable to afford expensive Chinese porcelains contented themselves with painted renditions of Chinese-style designs on less costly ceramics like delft and the later refined earthenwares.

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James Sadler Dates, Backstamps, History, Hallmarks Patterns and Information

A history of the Blue Willow pattern begins the book with descriptions of the many border and center patterns of this china. Dating Blue Willow and collecting Blue Willow are discussed, and all known marks are illustrated. Over color photographs of bowls, ashtrays, plates, pitchers, vases, platters, sugar bowls, and much more are included.

A special feature in this edition highlights the variations in the Willow pattern, which are often mixed in with the traditional Willow patterns and confuse collectors.

Buy Blue Willow Pattern Date-Lined Ceramics Pre-c and get the Antique Blue & White Transfer Willow Pattern Print Plate circa

It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from China. Its creation occurred at a time when mass-production of decorative tableware, at Stoke-on-Trent and elsewhere, was already making use of engraved and printed glaze transfers , rather than hand-painting, for the application of ornament to standardized vessels transfer ware.

Many different Chinese-inspired landscape patterns were at first produced in this way, both on bone china or porcellanous wares, and on white earthenware or pearlware. The Willow pattern became the most popular and persistent of them, and in various permutations has remained in production to the present day. Characteristically the background colour is white and the image blue, but various factories have used other colours in monochrome tints and there are Victorian versions with hand-touched polychrome colouring on simple outline transfers.

The exact moment of the pattern’s invention is not certain. During the s various engravers including Thomas Lucas and Thomas Minton were producing chinoiserie landscape scenes based on Chinese ceramic originals for the Caughley ‘Salopian China Manufactory’ near Broseley , Shropshire , then under the direction of Thomas Turner.

However the Caughley factory did not produce the English Willow pattern in its completed form. Thomas Lucas and his printer James Richards left Caughley in c. Thomas Minton left Caughley in and set up on his own account in c.

Antique Minton Marks

Just because ceramic china dinnerware looks old, it doesn’t mean that it’s valuable. Spider cracks in glaze coats can happen during the firing process and not just come from age, which makes spidering a questionable identification technique. The first steps in establishing the value of china dinnerware begin with identifying the type of china, the manufacturer, the artist or its age.

TAMS WILLOW PATTERN PLATE ART NOUVEAU SEMI PORCELAIN DINNER PLATE BLUE & WHITE. EUR From United Kingdom.

I have been in love with miniature 19th century plates, cups and serving pieces ever since I first discovered the beauty of English transferware. I have bought, sold and colle. Both before and after the American Revolution the British flooded the American market with underglaze transfer printed earthenware. Americans were convinced that it was the finest in the world, primarily because the British told them so.

It was very cheap to make, and America became a very important market for the potteries of Staffordshire. This is why it is appropriate to include 19th century English transferware in collections of American antiques of the period. We didn’t make much dinner china in this country until the 20th century. The question is, why did parents buy china as toys for children? Because it was cheap and children loved it.

Parents could often find miniature versions of their own favorite patterns to give to their children. Little girls love tea parties, and there were plenty of tiny tea sets available just for them. All of the 19th century children’s pieces were made in England until very late in the century when the Japanese started to produce quantities of Blue Willow to export into this country. American manufacturers made a lot of Blue Willow in the s and s.

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Blue Willow China is delicate, classic and tells a mythical love story. The Blue Willow Many items of Coronet Limoges date from the period to

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